A$AP FERG – FLEM (PRODUCED BY KIRK KNIGHT)

After two years, we finally get a new album from the Trap Lord himself, A$AP FERG. Dropped this month, Always Strive and Prosper, finds the Harlem rapper evolving his style with songs that are–dare I say–happier than on his 2014 release, Trap Lord. Which is a weird thing to write, because the album still has its dark moments, as on “Hungry Ham,”–about his hometown streets–even if the music itself is upbeat and features Skrillex and Crystal Caines. Along with those two unlikely collaborations, A$AP’s sophmore album features an array of guest artists picked from some of the newest hip hop crop–like Big Sean–to established names in the game like Future and even Missy Elliot.

Therein lies the enigma of Always Strive and Prosper. Half of the album showcases dance-able, happy music with the usual morbid, hip hop lyrics. The other half features slower, more somber beats flowing under lyrics that–while introspective–are more positive than we’ve heard from Ferg in the past. Case in point, his latest single.

On Flem, with a beautiful and head-banging beat by Kirk Knight, Ferg gets deep about his life and how it has changed in the last six years since joining his high school friends in the A$AP Mob. He discusses the fame, playing Coachella and realizing just how crazy it all has been. Then there are lyrics like this:

I could’ve fucked my life up

with the Bobby ‘n Whitney route

God bless ’em

Them drugs is a weapon

would get me so high i had to learn my lesson

bet i came a long way from depression

dealing with oppression

A true heart-to-heart with the listener and far more telling of where he is these days. Clear minded and focused on the game, A$AP Ferg is back and here to always strive and prosper.

https://soundcloud.com/hiphopnewtracks/asap-ferg-flem

 

Euphoric / Euphoric Styles / Euphoric.net

PRINCE – BATDANCE (UNRELEASED MIX FEAT. BIG DADDY KANE 1989)

It’s been two days since Prince died and the world is still in shock as details of his last days come to light. As with any musician, death has a bittersweet twinge for listeners as more and more artist estates release more unheard tunes posthumously, than they did when alive. Cue today’s mix.

Back in 1989, a young Tim Burton was taking the Hollywood scene by storm. He already had two successful hits under his belt (Pee-Wee’s Big Adventure and Beetlejuice) and decided to embark on a dark version of everyone’s favorite masked Gotham vigilante, Batman. For the soundtrack, he picked one of the day’s hottest recording artists which ended up being Prince’s 11th studio album.

While today it definitely sounds like your cliche, 1980’s song, “Batdance” actually made it’s way to Billboard’s Hot 100 list when it was released. Here we have a previously, unreleased mix featuring 1980’s hip hop extraordinaire, Big Daddy Kane. Prince maybe dead, but he will always be the king of soulful, dance music.

 

http://hypem.com/track/2gdfq/Prince+-+Batdance+(Unreleased+Remix)+(Feat.+Big+Daddy+Kane)+(1989)

THE GAME – 2 BLUNTS (420) FEAT. WIZ KHALIFA, LORINE CHIA PROD. BY FREE P

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Just in time for the holidaze comes a blazin’ new track from Compton’s own, The Game. “2 Blunts”–featuring smoker supreme, Wiz Khalifa and the sultry, Lorine Chia–is some of that fire hip hop any smoker can chill to. Produced by Free P, the track floats on a cloud of smoke nostalgic to early Bone-Thugs-N-Harmony while keeping the Game’s heavy-handed, West Coast beats.

Only two things can make this track better and if we have to tell you what they are, you ain’t been listening. Light it, up!

THE PIRATE – BASS TRIBE’S SPRING BLING MIX SERIES 17

It’s April, the sun’s out and that means it’s time to work on the beach tan during the day and pop bottles in the sweat-filled clubs at night. No party gets cracking without the right beats and Santa Cruz’s own The Pirate has just the mix to get those asses shaking.

Whether it’s spinning tracks at Emissions or setting up shows with Raindance Productions at clubs throughout San Francisco and Santa Cruz, The Pirate has worked ’round-the-clock in the Bay Area and Northern California EDM scene for a better part of the last decade. With a wide range of musical taste, the Pirate perfectly blends reggae, trap, hip hop, dub and even calypso into hard-hitting, one-of-a-kind tracks.

His latest mix is 29 minutes of slammin’ beats and intoxicating rhythms for the Bass Tribe’s “Spring Bling” series. From start to finish, Pirate pulls the fun and obscure together in a blend you can’t help but play over and over. One glance at that tracklist and it’s easy to see how he managed to gain over 1300 plays in under a week.

gruver

 

 

Chef Red ft No Tv No Radio – King

Channels – OD (Original Mix/

Cavest – one to the two

Luude – Raichu

DZZ – Build Me

mac – skype

Thook – P P F

wize – the code (prod by ghosttown)

Suma – Matter (Final)

obei – Ruby

EVERLAKE – Turiyah

thefaded. – IXTLI

LOST CITY – LOST CITY x BUNNY GENERAL – SOUNDWAR [LIONDUB]

Popcaan – Where We Come From (The Heatwave Remix)

Busy Signal – Bad Longtime

miss bolivia – bien warrior (djcaution remix)

Chico Navarro – MIRA MIRA (Ghetto Vanessa Edit)

Busta Rhymes – I Love MY Bitch (NICK BIKE 1V EDIT)

 

 

FORM ASCROSANTI FESTIVAL–DAY 2 BY JORDAN FICKEL

This is a continuation from PART ONE: https://weirdjournalism.com/2015/05/28/form-ascrosanti-festival-day-1/

 photo P1000385_zps4mrzlyf0.jpgPortrait of the author as a young artist. 

The big question on day 1 was about the “Very Special Guest” headlining the first night, with a longer set time than anyone else for the entire weekend. The festival t-shirt I got 30 minutes after entering said “Skrillex”on it. Oh boy.

Seriously? Skrillex? At least it was a good conversation starter. Most everyone I spoke to was initially turned off by seeing one of the highest paid DJs in the country for free. I was too. What the hell was the prince of brostep doing at our weird magical desert music festival? I guess that’s what people at Burning Man were asking last year too, when he was allegedly boo’d off the stage for playing “Turn Down For What”.

I came to the festival with what I thought was an open mind, ready to appreciate the experience for what it was, but this was a greater test than I was expecting.

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Spazzkid started the day off with a vaporwave set (maybe? I’m still figuring out that genre); banging away on his ableton controller and singing into a microphone on occasion. His style sort of a funky, hous3y, 80s pop thing, with a shout out to Saint Pepsi halfway through his set. He was actually my favorite performance of the day.

Spazzkid
Spazzkid

The next DJ was just running iTunes, no crowd. I found out later that The Range couldn’t make it for whatever reason.

I wandered the grounds most of the day, the stark beauty of the Arizona desert surrounding the experience. Paolo Soleri, the architect behind Arcosanti, had incredible vision, but as my boyfriend who works in construction pointed out, not as much of an engineer. The place was weathered and sturdy.

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I missed most of the Kodak to Graph set, the first set in the ampitheater and not the vaults. A resident of Arcosanti told me how happy they were to host such a wonderful event. I thought the vibe might be of resentment for interrupting their peaceful desert town.
Jacques Greene played after that, a dj whose work I’m actually a really big fan of. It’s like glitchy brainy house music, so I  was surprised that I didn’t enjoy it that much. Music always sounds different at home in your headphones than it does in a ‘live’ context.

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Tokimonsta played in the ampitheater as the sun set, her smile and head nodding seemingly plastered on but genuine at the same time. My second favorite set of the night. Machinedrum right afterwards, playing in the dark with little illumination, just a projector running abstract computerized human shapes. The two most talented musicians of the night. Those glitchy drum n bass drumbeats were performed by a live drummer. The name suddenly made sense. One guy on the machine, a small synth and what looked like an MPC or something, and a drummer with a full kit and a drum pad triggering abstract noises.

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The next act spent most of his time bobbing along to a mostly disinterested crowd waiting for the main event. I went to the merch booth and asked who it was, because no one really knew. The guy told me that Skrillex was late but The Range had finally shown up, so he was taking over for now. We went back and found a place to sit.

It was loud, it was stupid, it was intense and immediately accessible. I managed to enjoy it. He played a lot of songs I didn’t like, but he mixed out of songs usually in less than a minute, sometimes in less than 15 seconds. Huge build-up, then drop, creative transition to the next track, repeat. He had command of his mixer, was really creative and talented. Most of the crowd filtered out during his set, leaving a dedicated 50-100 people in the auditorium. Security was so lax that the stage ended up full of his fans, crowding around him and his mixer as he tried his best to hype an experimental ambient festival in the middle of the desert, stuff like “what’s up arcosanti let’s scream to the stars yeeeeaahhh”

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FORM ASCROSANTI FESTIVAL DAY 1 BY JORDAN FICKEL

Just when I thought I was out, they pull me back in! 

Well, kind of. 

After a long delay, Weird Journalism is back and the blogging will commence so bend over and read!!!! 

Kicking off our return is a very EXCLUSIVE piece on last weekend’s rare and elusive, FORM ASCROSANTI festival in Arizona. With an application process for tickets and only a few hundred given away, guest writer Jordan Fickel (DJ Bear Hugs) wasn’t sure what to expect. Here is part one from his strange time in the desert…

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“Remember?  That exclusive music festival in Arizona I applied for?”

“Oh, you mean Hipster Summer Camp.  You have to call it that. That’s what it is now,” my usually stoic roommate said, a glint of amusement in his eyes.

It’s true.  I had been calling it Hipster Summer Camp.  That was before I was accepted, anyway. However, now that FORM Arcosanti gave me the golden ticket, my sour grapes attitude had dissipated and I honestly felt kind of bad for calling it that for so long.

FORM is an invite only music festival in a strange small town in the middle of the Arizona desert. The town is so small that it can only host a few hundred people at a time. So,  the festival curators have an application process that asks vague, artsy questions like “What inspires you?” and “What will you bring to FORM if accepted?” and bizarrely “Animal, Vegetable or Mineral?” The answers deemed creative enough get an invite to this exclusive festival. Seems pretty pretentious and inclusive, right? Those were my thoughts, initially. But imagine this: a music festival with no screaming woo girls in culturally appropriated fashion, no blackout bros trying molly for the first time, no one vomiting on your shoes… just a small number of laid back, creative adults trying to appreciate the experience.  That’s what was so appealing to me. I only recognized two of the bands, and there was only one that really excited me, but the experience seemed so unusual and magical… I had to at least apply. I filled out the application honestly, which is a little unusual for me. Normally, I try to game the system.

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Chris and the author en route and looking good.

I told my friends and my boyfriend all about it and was shocked at the lack of interest. I truly believed this is going to be a once in a lifetime type event, but I was unable to convince anyone else of it. I told my boyfriend Chris that if I got an invite I was going, but it probably wasn’t going to happen. Not only is this a bizarre magical event in a strange town in the desert, it is also completely free to get in if they pick you.

“Making it expensive would mean only wealthy people can come. not down” festival curators Hundred Waters said in a facebook post regarding FORM.  I was the only one who wanted to go to Hipster Summer Camp.  That is, until I got an email saying I could go.

Chris was miserable and kind of angry. We had been to a bunch of weird, magical shows since we’ve been dating, and he was pissed I got to go to this one without him. I told him I’d see what I could do.  I got in from work at 3 am, Chris already passed out.  I sent an email to the info email on the FORM webpage, outlining our situation.  Again, I didn’t embellish anything. I truly believed Chris deserved to go.  I asked in the email if they would consider a late application if any slots opened, and I went to sleep.  When I woke up they had sent a response.

“Jordan, Send us your partner’s full name and email and we’ll send him an invite. :)”

I was thrilled, but surprised too.  This was bizarrely personal for a music festival, which is a trend I hope continues over the course of this weekend.

And then I was a convert. I stopped calling it Hipster Summer Camp, though the name still stuck.  I had preacehd it to the world and it no longer belonged to me.

There are two types of tickets, people who camp on site and day passes.  Chris and I got day passes.  We’re in a hotel in Prescott, Arizona (pronounced “press-cut”, I found out last night) 30 miles north of Arcosanti.  It’s pretty much the closest hotel; Arcosanti really is out in the middle of nowhere.  There are bell-castings, there’s a pool, and there’s a Moog synthesizer lab, in addition to the music.  Holy shit I haven’t mentioned anything about the music yet.

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Chris in AZ. kicking ass and taking names

One reason the name Hipster Summer Camp is appropriate is most of the bands have albums that reviewed well on Pitchfork.  If you need some genres here are some appropriate ones: ambient, drone, house, indie, experimental, noise, downtempo.  Here are some band names: Hundred Waters, How To Dress Well, Pharmakon, The Antlers, Moses Sumney.

The big question is who is headlining tonight.  The lineup just says “very special guest”, and this guest gets the longest set out of anyone for the entire weekend.

I’m obviously not worried too much about the music, which I guess is odd for a music festival. My opinion is that music festivals are one of the worse ways to see a band live, to be honest. It’s like going to a bar to find a date. I’m going to have an amazing bizarre experience. I hope the bands are good! I’ll have fun either way.

If You’re Going to San Francisco, Prepare for Domination! Day 10

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Dave Brockie of the Almight GWAR rocking A Band of Orcs’ shirt before the show in SF. 

As always, here’s your humble journalist, delivering the 4-1-1 straight from the shit itself. We’re currently barreling down the 45 North outside of Houston, TX, on our way to a Guitar Center for supplies and to burn some time before the show tonight at the Warehouse Live. I have an expensive-ass cup of diner coffee sitting next to me and my belly is full with a croissant & scrambled egg sandwich topped with hot sauce and a side of grits. Real country grub is good for the soul, even if you’re traveling with a death metal band and you have to question whether or not you even have the damned thing.

Where did I leave off? Sacramento, right? Well, that was a few days ago, so I’ll do as much catching up as possible and dive right into the last few days.

After Sactown we drove through the night, trying to get as close to home as possible. Somewhere along the line we dropped Jesse off in Oakland so he could be with his lady, Lexi, who lives in the area.

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The city, she burns for me. . .she needs penicillin 

I woke up in the parking lot of a Best Buy in Emeryville, had my morning cigarette, hacked up the day’s lung butter and walked with Oog to Panera Bread for some coffee and the toilet, not in that order. After everyone had their eats and morning ritual, we were hit up by some self-proclaimed, “totally normal” crackheads who were looking for “only $11 so I can buy my medicine,” and I knew we were back in the Bay.

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San Francisco. Ooooohhhh San Francisco. You’re a helluva city, you know that, right? The air had a bite to it like no other. A real San Franciscan October night; fresh with the adventures of the sea, and as old as the ghosts that haunt it.

The tour was hitting the Regency Ballroom, an old dancehall built in 1909 and is a “fine example of Scottish Rite architecture” according to their website. The massive stage, hardwood floors and 22, turn-of-the-century teardrop chandeliers are clearly too nice for modern times, and one can imagine the Regency being a really swinging jazz hall at one time. But tonight, it was home for metal, blood, Orcs, and space aliens. Just another night in SF.

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Hellbillies Representin’ at the Regency

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Matt customizing a Gwar drumhead to be sold. 

From the moment we arrived, it was a hustle to unload, organize, set-up the merch/instruments and the dreaded search for parking in a city built for horse-drawn carriages. Luckily, there was a spot directly across from the Regency, on the other side of Van Ness Blvd. With a little luck and a lot of time playing Frogger as a kid, I was able to maneuver everything into the venue just in time to eat.

By nightfall our friends began pouring in and it was a regular party inside the Regency. Friends, girlfriends, wives, family members and coworkers all showed up to support A Band of Orcs and be splattered in blood. Unfortunately as with every show so far, the ticket times and the actual doors were different and several of our friends missed the Orcs. C’est la vie.

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Inside the Regency

Because the merch room is separate from the main hall, I spent the evening behind the booth, talking with Carlee (Iron Reagan’s merch girl for those of you just joining us) and Wyatt (Whitechapel merch guy), and hanging out with my Santa Cruz friends, Brian, Caroline, Rob & Chris. I was excited to be at the Regency from the crew side. Three years ago I had the chance to interview GWAR at the Regency for Rabid magazine, and while I can’t deny a backstage press pass, it was good to get the crew’s perspective. Truly immerse myself in the chaos, real gonzo journalism.

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Outside the Regency

However, that’s not to say I didn’t see my fair share of entertainment because Will was there; the baldheaded, pill dealer who “swear to God knowns Oderus. Just ask him!”. Jesse and I got our first taste of Will In Sacto, when he walked up to our RV exclaiming, “I’m gonna draw on your vehicle.”

“Theeeeen, I’m gonna call the cops,” replied Jesse.

Will’s face turned as white as his goatee and his eyes grew huge partly out of exaggeration, partly out of real fear and the rest because of the drugs he was permanently on.

“Aaaaawwww, naawww, come on man. You wouldn’t do that, WOULD you??? Not the cops, I got pills and I know GWAR!”

He spent the next ten minutes explaining to us about all of the bands he’s worked with and how he’s more “one of [us]” than we realize. My first thought was, “Ye gods, I hope not.” The rest of the night in Sacramento was spent with Will running around in a drunken ball of chaos with his promises to show up the next day in San Francisco, even though I was a dick to him with every interaction.

He might be annoying as hell, but I guess he’s honest about his promises, “especially when there’s a free show and beer involved,” he later told me at some point in the Regency. I don’t remember if it was before or after he started running around the merch room, chasing after an equally drunk, looked like she was prone to a pill or six, middle-aged woman. She was yelling at him for something and as an apology, Will was throwing himself on  the ground, proposing and begging for her forgiveness. She saw her opportunity and started shouting, “Well, as long as your down there,” spreading eagle about his shiny bald head and missing teeth smile. This went on for several minutes, with her running around the room in a circle, and Will throwing himself down every few feet with a pleading, “Naw, I’m sorry baby! Come on, let’s get a beer! You love beer! Naw, come on.” After 5 laps around the room, she exited and he followed, crawling on his knees with his hands in the air. I don’t normally say this, but sometimes drugs can be dangerous kids. Don’t be like Will.

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Caroline has been Gwarified

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Rob & Chris return bloody from battle

When the show was over and our friends were sufficiently drenched, I tried to pack up as quickly as possible so I could hang out, but was delayed first by the stage manager for merch pay out, and a second time after loading-in when I discovered my tour laminate had ripped off my key chain. After some frantic searching, I discovered it on Van Ness, but by then it was late and everyone was departing. Brian had agreed to take me back to  Santa Cruz for the night and A Band of Orcs all agreed to meet at the RV rental place the next day in Newark at 11am. After a couple hours there, they’d go to SC, do laundry, empty things in the trailer we don’t need, pick me up, and hit the road in the early afternoon. Ho ho.

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A Crabtree stands alone

Don’t Forget the Joker at The Ace of Spades in Sacramento, Ca. Oct. 19, 2013

I fell asleep somewhere after the Grapevine and woke up the next morning, parked in front of a house somewhere in Sacramento. I staggard from my bench, cold and ornery from my lack of a sleeping bag (my own fault) and walked behind the trailer to return the night’s drinks. Mike emerged from inside the yellow house with white trim, saying we were at an ex-Santa Cruz friend’s house, there was time to kill, the family was cooking lunch inside and the shower was open.

When you’re traveling to different cities, 9 times out of 10 in different states, you learn to rely on the kindness of others for the simple things. The moments in life when you can recharge and enjoy an hour to yourself without a worry.
They are incredibly rare moments and ones to be cherished.

Robert and Bobbie Alvarado, along with their 12 and 16 year old,  welcomed us into their home for several hours to shower, do laundry, eat, and relax in the cool, California air. Rob twisted up a couple of fat joints and passed them around as Oog Skullbasher joined and we caught the Alvarados up on tour life & things back home in Santa Cruz.

After we had recharged enough to almost forget where we had to be, it was time to be at the Ace of Spades.

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A club with the max capacity of 900, according to the locals it’s one of the top rock clubs in Sacto and the only one in that particular area. Unfortunately, by the time we arrived for load-in, all of the folding tables had been snagged so I set up the merch on an empty, “dead,” case from the trailer. It’s not the strongest that survives, but the species that evolves with new surroundings. When in Sacramento. . .

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The show was another gem and the audience responded positively to the Orcs. Not only was there a crowd to see them, but they spent 4xs more at the merch booth than Hollywood. I guess everyone was too broke spending money on booze and blow down there.

The crowd was clearly getting off on the gallons of red blood and blue jizmoglobin as person after person emerged from the mosh pit, covered in the liquids like a bukakke from hell.

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Even though we had friends at the show, by the time everyone was done loading the trailer it was already running late. The next day was San Francisco, then a day off, and everybody was ready to be close to home for 24 hours to spend time with their wives or girlfriends, (everyone except for me, since the certain someone i was thinking of with the emerald eyes couldn’t meet before her work)  and breath in some fresh Bay Area, autumn air.

It was a short drive back to SF but even still, everyone but Gronk! and Jesse was asleep by the time we barely left Sacramento’s city limits.

Rules of the Road

1. Shit happens. Do whatever it takes to get the job done.

2. Always carry a spare tire.

3. Fights will happen but remember why you are here and how luck you have it. You could be working behind a desk under soul-sucking fluorescent lights.

4. When fighting, don’t make it personal unless the greater cause is at stake and the fuck-up needs to be put in his/her place. Other than that, refer to #3.

5. Always carry a spare gas can for good luck. If you have it, you won’t need it and if you leave it, you’ll be stranded.

6. GPS lies. Pay attention to signs, intuition and if in a jam, you can always ask a local.

7. Play more Tetris, it will help when loading/unloading all the gear, merch and half dozen guitars you just HAVE to bring along.

8. 10 minutes of space away from everyone else will spare you 10 fights down the line.

9. Eat whenever possible because you never know where your next meal will come from or when it will be.

10. Don’t forget to bring a towel.

11. Always search your hotel room. Apparently Sting’s bus driver stashes his drugs in the different hotels he knows he’ll be returning to while on the road. According to reliable sources, it’s not just him.

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