DARREN ASHLEY – QUESTION

Malaysian beat-maker, Darren Ashley, gracefully blends beats and sounds together into the quickly budding Future Bass scene. Every Monday he has been releasing new, unique singles–via Soundcloud–for his “Monday Juice” project.

Last week he dropped “Question” a futuristic dance tune with plenty of bleeps and bloops somehow concocted into a tasty tune. Incredibly underground, undeniably different and continuously proficient, Darren Ashley might just become your favorite beat chef nobody’s heard of.

A$AP FERG – FLEM (PRODUCED BY KIRK KNIGHT)

After two years, we finally get a new album from the Trap Lord himself, A$AP FERG. Dropped this month, Always Strive and Prosper, finds the Harlem rapper evolving his style with songs that are–dare I say–happier than on his 2014 release, Trap Lord. Which is a weird thing to write, because the album still has its dark moments, as on “Hungry Ham,”–about his hometown streets–even if the music itself is upbeat and features Skrillex and Crystal Caines. Along with those two unlikely collaborations, A$AP’s sophmore album features an array of guest artists picked from some of the newest hip hop crop–like Big Sean–to established names in the game like Future and even Missy Elliot.

Therein lies the enigma of Always Strive and Prosper. Half of the album showcases dance-able, happy music with the usual morbid, hip hop lyrics. The other half features slower, more somber beats flowing under lyrics that–while introspective–are more positive than we’ve heard from Ferg in the past. Case in point, his latest single.

On Flem, with a beautiful and head-banging beat by Kirk Knight, Ferg gets deep about his life and how it has changed in the last six years since joining his high school friends in the A$AP Mob. He discusses the fame, playing Coachella and realizing just how crazy it all has been. Then there are lyrics like this:

I could’ve fucked my life up

with the Bobby ‘n Whitney route

God bless ’em

Them drugs is a weapon

would get me so high i had to learn my lesson

bet i came a long way from depression

dealing with oppression

A true heart-to-heart with the listener and far more telling of where he is these days. Clear minded and focused on the game, A$AP Ferg is back and here to always strive and prosper.

https://soundcloud.com/hiphopnewtracks/asap-ferg-flem

 

Euphoric / Euphoric Styles / Euphoric.net

PRINCE – BATDANCE (UNRELEASED MIX FEAT. BIG DADDY KANE 1989)

It’s been two days since Prince died and the world is still in shock as details of his last days come to light. As with any musician, death has a bittersweet twinge for listeners as more and more artist estates release more unheard tunes posthumously, than they did when alive. Cue today’s mix.

Back in 1989, a young Tim Burton was taking the Hollywood scene by storm. He already had two successful hits under his belt (Pee-Wee’s Big Adventure and Beetlejuice) and decided to embark on a dark version of everyone’s favorite masked Gotham vigilante, Batman. For the soundtrack, he picked one of the day’s hottest recording artists which ended up being Prince’s 11th studio album.

While today it definitely sounds like your cliche, 1980’s song, “Batdance” actually made it’s way to Billboard’s Hot 100 list when it was released. Here we have a previously, unreleased mix featuring 1980’s hip hop extraordinaire, Big Daddy Kane. Prince maybe dead, but he will always be the king of soulful, dance music.

 

http://hypem.com/track/2gdfq/Prince+-+Batdance+(Unreleased+Remix)+(Feat.+Big+Daddy+Kane)+(1989)

THE GAME – 2 BLUNTS (420) FEAT. WIZ KHALIFA, LORINE CHIA PROD. BY FREE P

wiz

Just in time for the holidaze comes a blazin’ new track from Compton’s own, The Game. “2 Blunts”–featuring smoker supreme, Wiz Khalifa and the sultry, Lorine Chia–is some of that fire hip hop any smoker can chill to. Produced by Free P, the track floats on a cloud of smoke nostalgic to early Bone-Thugs-N-Harmony while keeping the Game’s heavy-handed, West Coast beats.

Only two things can make this track better and if we have to tell you what they are, you ain’t been listening. Light it, up!