Ghastly – Fuk Watchu Think (feat. Jameston Thieves)

Born David Lee Crow, Ghastly grew up on a farm in Arizona with 650 cows, a humble beginning for someone who would become a major name in today’s Los Angeles Bass scene. Named after the “abominable and a little bit atrocious” decisions he’s made, Ghastly has released singles on such major labels like OWSLA and Dim Mak.

Two days ago he released his latest track on OWSLA, “Fuk Watchu Think” featuring producer, Jameston Theives. The three and a half minute track is a sonic boom of sound. Your classic party track that continues from beginning to finish without letting up. Taste a little bit of euphoria on this lovely Sunday afternoon. Just don’t overdose on the bass.

The Pirate & Smasheltooth: Booms & Claps Mix Series 19

The Booms And Claps mix series is the brainchild of BoomsAndClaps.com, self-described “bass nerds” who realized they wanted to show listeners a new world of bass, trap and electronic music. So far they’ve featured artists such as Aztek, Shiny Things and Tiger Fresh and the websites features interviews with Euphoric favorites like Lafa Taylor and G Jones.

Mix Series 19 features another two of our personal favorites: The Pirate and Smasheltooth. For years this DJ couple has dropped beats throughout the Bay Area along with festivals like Northern Nights and the Santa Cruz Music Fest. While they don’t always perform together, the rare times I have seen them co-DJ at Motiv in Santa Cruz, it’s a musical treat to be heard. Lucky for you, this is just what they did for the latest Booms And Claps installment.

 

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First and foremost, the mix kicks-off with an adorable intro by their neighbor’s child that can make even the coldest of hearts giggle with innocence. Smasheltooth starts first with the two switching between 15 minute sets, gracefully transitioning into each other’s music.

“Smash mixed in a lot of well curated club bangers including trap and Southern hip hop” Pirate says. “So I came in with the booms and claps of the Northwest Bass Scene.”

 

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But don’t expect this to be your run-of-the-mill bass set because these two always have something new up their sleeve.

“The last track is BSN Posse out of Milagro, Spain,” Pirate explains. “It has this beauty to it and sounds like what you’d expect to be playing on European beaches.”

 

 

SNAFU – STREETWISE/WTF (FEAT. LIL’ FLIP)

If you’re from the Bay Area, then you already know the name Snafu. Born in the Midwest, the electronic hiphop producer and dj has called San Francisco his home since 2014 and has been hitting the scene with ferocity ever since. But i won’t get much into his details because Euphoric reporter Sam Working already did that earlier this year in this great interview.

On Sept 22 Snafu released two, brand-spanking new tracks on Play Me Records and I swear summer was back because they are HOT. . .ok. I apologize for that horrible metaphor. It won’t happen again.

The first track, “Streetwise,” is a slamming drum & bass track that will get even the EDM haters nodding their heads to the beat. His breaks and builds are fresh and strange, leaving a lasting impression in the mind of his audience.

“WTF” is my favorite of the two, however. What can I say? I’m a sucker for hiphop and heavy, thunderous beats. Lil’ Flip’s lyrics and delivery flawlessly flow over SNAFU’s mix of rap beats and wigged-out electronic noises. It’s boom. It’s hard. It lives up to it’s name. But don’t take my word for it. Press play and tell me what the fuck you think.

 

 

ELLUSIVE – SPACE BETWEEN US (FEAT. ERENE)

There  I was, feeling down on myself because I was recently dumped and figured I’d distract my mind with a little work. I opened Soundcloud to see who has posted the latest in dance music and somehow–maybe a moment of kizmet since it IS Rosh Hashanah (that’s the Jewish New Year for all you Gentiles)–quickly stumbled upon Ellusive’s “Space Between Us (feat. Erene).”

You know that weird moment when you discover a new song that somehow seems to be written about that exact moment in your life? What the fuck, right? How does that happen? Damn you, Ellusive. Ok, maybe that’s a lot of exaggeration considering I’m not that torn up since I’m fairly certain I’m a sociopath, but you get the idea.

Despite the ambushed genital punch in the feels, the track is a 3 min and 44 second monologue, beautifully sung by Erene with the grandiose beats we all love about EDM. Ellusive even throws in a couple of trap beats to keep things interesting and moving right along.

So whether you’re looking for something external to introspectively dive into, or you’re just looking for a smooth track to chill to, don’t shy away from Ellusive. After “Space Between Us,” even I’m looking forward to seeing what else he has up his sleeve.

Direct – Trust In Me EP

Sometimes you find the right soundtrack to accentuate your life. That one album that finds its way into your brain and somehow provides tracks to the moments in your life that mean the most. The ups. The downs. The in-betweens. The après le déluge, as it were. 

Trust in Me by Direct is one of those EPs.

 

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Released by Monstercat, Trust in Me divulges into the dark and deep parts of the human subconscious while still maintaining its pop sensibility. A task not easily taken but then again, Direct ‘s work ethic is all in his name.

Hailing from New Jersey, Direct has already earned his stripes in the EDM scene, garnering positive reviews from places like Dubstep.net and The Untz. His website boasts a Moodboard to accompany the five song EP, that is a “collection of visual art that relates to the Trust In Me EP,” and it doesn’t disappoint. The visuals are just as beautiful as the delicate yet powerful music. Elegant and surreal, Direct dives into the psyche and brings the listener up for air just in time.

So whether you’re staying up late on that big project, relaxing with a spliff in your bed, or taking a long drive to gather your thoughts underneath the man-made stars that align the blacktop of our lives, turn this on and let your mind wander. Just remember Euphoric told you so.

 

Candyland & Ricci – “Touch Me”

Are you ready for some bumpin’ bass and funky-azz House shizz that will serve as the soundtrack at your next party? Then make way for the collaborative track, “Touch Me” by Candyland and Ricci.

Neither one of these names were familiar to me before I heard this track, so a little investigation was in order. I discovered that Candyland is a male/female duo made up of Ethan and Josie, hailing from the sunny, beach town of Santa Barbara.  Although their hometown is known for its luxury, Candyland never got any handouts, often sleeping in their car while making and performing music. But it seems like after over 2 years on the scene, they’re turning heads. Like Ricci.

 

 

Born in Brazil, Ricci, has already remixed or collaborated a plethora of  “who’s who” in the EDM world like Vintage Culture and Daft Punk. He’s hitting the Lollapalooza Brasil fest this year, sharing the stage with artists like Metallica, G-Eazy and Borgore.

Released by Canadian EDM label, Monstercat, “Touch Me” combines the fun of House with the drops and power of Bass culture for an ass-shaking good time. The song demands an audience of sweaty bodies writing to the beat under the influence of the party or whatever substance of choice one prefers.

 

 

Flume – “Say It” ft. Tove Lo (Illenium Remix)

We should all be familiar with Flume by now. The Australian producer and musician, born Harley Edward Streten, hit the scene in a powerful way with remixes and collaborations with Lorde, Arcade Fire and Sam Smith. His second album, Skin, dropped earlier this year and ignited the critics. His tracks are light but driven, taking the listener through an acid daydream of beauty.

Illenium might not be as known as Flume, but just wait. The Denver based producer has only been on the scene for the last 2 years or so but already has a nice body of work on his turntables. Along with his remixes of artists like the Chainsmokers, Odesza and Dawn Golden, Illenium released his debut album, Ashes, earlier this year and it’s a helluva ride through the sonic mind. He’s currently on tour throughout the U.S. so check his site (illenium.com) for dates near you.

Here’s Illenium’s remix of this year’s latest Flume single, “Say It.”  It’s a 4.5 minute track that’s guaranteed to put a smile on your face and give  you a moment to yourself. Enjoy euphorically.

 

BORGORE – DADDY

Whether you love him or love to hate him, Borgore is back! That’s right, the Israeli dubstep producer, DJ, and founder of Buygore Records is not only touring the U.S. but he just released his latest track, a 2 minute and 17 second lil number called “Daddy.”

And the people are loving it.

At only 4 days old, “Daddy” already has 207,000 plays on Soundcloud. But do we need to tell Borgore that it’s good? Of course not. He already proudly throws it out there with the only lyrics in the track, “All the bitches love me ’cause I’m motherfuckin’ Daddyin.'”

Of course, all this builds up to his signature, dirty bass drop.

It’s heavy. It’s funky. It’s a lot of words that–taken out of context–might make this a lot more dirty that I want. But it’s that good. It’s porno good.

Bay area fans can check out Borgore with Ookay, San Holo, Terravita, and Laxx on Oct 21 at City National Civic in San Jose for the Safe in Sound Fest.

 

SoundSnobz – CTRL

Ok, I’m going to admit it. I’m not really what you would call an EDM fan. Born and raised in Rock ‘N Roll, I graduated to punk, jazz, soul, outlaw country and metal. Basically every damn thing I could get my hands onto besides electronic music.

Then, the gods that be decided to get a good chuckle and I scored a job writing for Euphoric.net. Now I’m nipple-deep in bass, trap, house, and other electronic music I’m actually starting to ENJOY the damn stuff. Oh irony, you tricky fox.

Recently, I was shown UK producer Troyboi, and discovered just how artistic this genre can be. I jumped on the chance to work the Euphoric Press Tent at Northern Nights this last July curious not only for the adventure, but to check out Troyboi’s set. And he did not disappoint. His electrifying energy and unique style shocked even the most critical parts of my brain into admitting I was witnessing something pure, original and new. But again, I’m late to the party.

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“CTRL” the latest release from SoundSnobz–Troyboi’s collaboration project with IceKream–was released yesterday on Elysian Records and fits nicely in the band’s discography. “CTRL” continues the duo’s innovative style while keeping the track firmly anchored with an infectious beat. While they aren’t reinventing the wheel with this one, it still ventures into experimental territory at times, keeping the song fresh and alive.

Is this this sign of more, new SoundSnobz tunes to come? Stay tuned!

LABRAT – CALIFORNIA CONDOR

For those who have been paying attention in a euphoric manner, Santa Cruz DJ and Producer, LabRat, isn’t a new name. The 25 year old Bass engineer has been rocking the scene since 2010, when he released his remix of the XX’s “Crystalized” to great acclaim. Since then, he has crafted his own unique style of dubstep and EDM, blowing up the Bay Area and festival scene.

Yesterday he dropped his latest track, “California Condor,” a three and a half minute flight through his trippy brain on  MalLabel Music. Unlike the track’s namesake, the Bass scene is in no way close to being labeled “critically endangered,” especially if Labrat has anything to say about it.

“California Condor” soars through the musical genre, with pockets of  high-pitched electronic glitchiness guiding the track through an open space of heavy bass. There are no low valleys here, just peaks of happiness to gaze down upon while the instrumentals. So get comfy, place your tray tables and seats in the upright position, and brace yourself for a sonic adventure through the mind’s sky.