FORM ASCROSANTI FESTIVAL–DAY 2 BY JORDAN FICKEL
This is a continuation from PART ONE: https://weirdjournalism.com/2015/05/28/form-ascrosanti-festival-day-1/
Portrait of the author as a young artist.
Seriously? Skrillex? At least it was a good conversation starter. Most everyone I spoke to was initially turned off by seeing one of the highest paid DJs in the country for free. I was too. What the hell was the prince of brostep doing at our weird magical desert music festival? I guess that’s what people at Burning Man were asking last year too, when he was allegedly boo’d off the stage for playing “Turn Down For What”.
I came to the festival with what I thought was an open mind, ready to appreciate the experience for what it was, but this was a greater test than I was expecting.
Spazzkid started the day off with a vaporwave set (maybe? I’m still figuring out that genre); banging away on his ableton controller and singing into a microphone on occasion. His style sort of a funky, hous3y, 80s pop thing, with a shout out to Saint Pepsi halfway through his set. He was actually my favorite performance of the day.

The next DJ was just running iTunes, no crowd. I found out later that The Range couldn’t make it for whatever reason.
I wandered the grounds most of the day, the stark beauty of the Arizona desert surrounding the experience. Paolo Soleri, the architect behind Arcosanti, had incredible vision, but as my boyfriend who works in construction pointed out, not as much of an engineer. The place was weathered and sturdy.
I missed most of the Kodak to Graph set, the first set in the ampitheater and not the vaults. A resident of Arcosanti told me how happy they were to host such a wonderful event. I thought the vibe might be of resentment for interrupting their peaceful desert town.
Jacques Greene played after that, a dj whose work I’m actually a really big fan of. It’s like glitchy brainy house music, so I was surprised that I didn’t enjoy it that much. Music always sounds different at home in your headphones than it does in a ‘live’ context.

Tokimonsta played in the ampitheater as the sun set, her smile and head nodding seemingly plastered on but genuine at the same time. My second favorite set of the night. Machinedrum right afterwards, playing in the dark with little illumination, just a projector running abstract computerized human shapes. The two most talented musicians of the night. Those glitchy drum n bass drumbeats were performed by a live drummer. The name suddenly made sense. One guy on the machine, a small synth and what looked like an MPC or something, and a drummer with a full kit and a drum pad triggering abstract noises.
The next act spent most of his time bobbing along to a mostly disinterested crowd waiting for the main event. I went to the merch booth and asked who it was, because no one really knew. The guy told me that Skrillex was late but The Range had finally shown up, so he was taking over for now. We went back and found a place to sit.
It was loud, it was stupid, it was intense and immediately accessible. I managed to enjoy it. He played a lot of songs I didn’t like, but he mixed out of songs usually in less than a minute, sometimes in less than 15 seconds. Huge build-up, then drop, creative transition to the next track, repeat. He had command of his mixer, was really creative and talented. Most of the crowd filtered out during his set, leaving a dedicated 50-100 people in the auditorium. Security was so lax that the stage ended up full of his fans, crowding around him and his mixer as he tried his best to hype an experimental ambient festival in the middle of the desert, stuff like “what’s up arcosanti let’s scream to the stars yeeeeaahhh”
FORM ASCROSANTI FESTIVAL DAY 1 BY JORDAN FICKEL
Just when I thought I was out, they pull me back in!
Well, kind of.
After a long delay, Weird Journalism is back and the blogging will commence so bend over and read!!!!
Kicking off our return is a very EXCLUSIVE piece on last weekend’s rare and elusive, FORM ASCROSANTI festival in Arizona. With an application process for tickets and only a few hundred given away, guest writer Jordan Fickel (DJ Bear Hugs) wasn’t sure what to expect. Here is part one from his strange time in the desert…
“Remember? That exclusive music festival in Arizona I applied for?”
“Oh, you mean Hipster Summer Camp. You have to call it that. That’s what it is now,” my usually stoic roommate said, a glint of amusement in his eyes.
It’s true. I had been calling it Hipster Summer Camp. That was before I was accepted, anyway. However, now that FORM Arcosanti gave me the golden ticket, my sour grapes attitude had dissipated and I honestly felt kind of bad for calling it that for so long.
FORM is an invite only music festival in a strange small town in the middle of the Arizona desert. The town is so small that it can only host a few hundred people at a time. So, the festival curators have an application process that asks vague, artsy questions like “What inspires you?” and “What will you bring to FORM if accepted?” and bizarrely “Animal, Vegetable or Mineral?” The answers deemed creative enough get an invite to this exclusive festival. Seems pretty pretentious and inclusive, right? Those were my thoughts, initially. But imagine this: a music festival with no screaming woo girls in culturally appropriated fashion, no blackout bros trying molly for the first time, no one vomiting on your shoes… just a small number of laid back, creative adults trying to appreciate the experience. That’s what was so appealing to me. I only recognized two of the bands, and there was only one that really excited me, but the experience seemed so unusual and magical… I had to at least apply. I filled out the application honestly, which is a little unusual for me. Normally, I try to game the system.
Chris and the author en route and looking good.
I told my friends and my boyfriend all about it and was shocked at the lack of interest. I truly believed this is going to be a once in a lifetime type event, but I was unable to convince anyone else of it. I told my boyfriend Chris that if I got an invite I was going, but it probably wasn’t going to happen. Not only is this a bizarre magical event in a strange town in the desert, it is also completely free to get in if they pick you.
“Making it expensive would mean only wealthy people can come. not down” festival curators Hundred Waters said in a facebook post regarding FORM. I was the only one who wanted to go to Hipster Summer Camp. That is, until I got an email saying I could go.
Chris was miserable and kind of angry. We had been to a bunch of weird, magical shows since we’ve been dating, and he was pissed I got to go to this one without him. I told him I’d see what I could do. I got in from work at 3 am, Chris already passed out. I sent an email to the info email on the FORM webpage, outlining our situation. Again, I didn’t embellish anything. I truly believed Chris deserved to go. I asked in the email if they would consider a late application if any slots opened, and I went to sleep. When I woke up they had sent a response.
“Jordan, Send us your partner’s full name and email and we’ll send him an invite. :)”
I was thrilled, but surprised too. This was bizarrely personal for a music festival, which is a trend I hope continues over the course of this weekend.
And then I was a convert. I stopped calling it Hipster Summer Camp, though the name still stuck. I had preacehd it to the world and it no longer belonged to me.
There are two types of tickets, people who camp on site and day passes. Chris and I got day passes. We’re in a hotel in Prescott, Arizona (pronounced “press-cut”, I found out last night) 30 miles north of Arcosanti. It’s pretty much the closest hotel; Arcosanti really is out in the middle of nowhere. There are bell-castings, there’s a pool, and there’s a Moog synthesizer lab, in addition to the music. Holy shit I haven’t mentioned anything about the music yet.
Chris in AZ. kicking ass and taking names
One reason the name Hipster Summer Camp is appropriate is most of the bands have albums that reviewed well on Pitchfork. If you need some genres here are some appropriate ones: ambient, drone, house, indie, experimental, noise, downtempo. Here are some band names: Hundred Waters, How To Dress Well, Pharmakon, The Antlers, Moses Sumney.
The big question is who is headlining tonight. The lineup just says “very special guest”, and this guest gets the longest set out of anyone for the entire weekend.
I’m obviously not worried too much about the music, which I guess is odd for a music festival. My opinion is that music festivals are one of the worse ways to see a band live, to be honest. It’s like going to a bar to find a date. I’m going to have an amazing bizarre experience. I hope the bands are good! I’ll have fun either way.
Tree | Santa Cruz Good Times-Love Your Local Band(vol.41, no.4– 5/1/14)
20 year old savant producer & musician, Tree, debuts live, electronic band. (published May 1-7, 2014. Vol.41 No.4)
In the Spotlight: Exhumed/Iron Reagan Split
Exhumed & Iron Reagan released a whirlwind of a split on Tankcrimes Records. Read this then buy it. Trust me on this.
by Mat Weir
If you’re a metal head, then forgive the obviousness of the next sentence. Tank Crimes is KILLING IT in 2014! Between the brutal album releases and this year’s Brain Squeeze (seriously considered quitting my job to see it, then I remembered I like to drink), this year is a promising one for the Oakland-based label.
They kicked it off with a brutal split EP by two of 2014’s heaviest; San Jose’s death metal legends, Exhumed, and Richmond, Virginia’s sensual thrash band & this year’s Brain Squeeze veterans, Iron Reagan. Each band has four songs to destroy your skull with and they don’t waste a moment when it comes to bashing your sanity with metal.
Exhumed’s new tracks are dripping with shredding guitar solos and they joyfully slaughter a 52 second cover of Minor Threat’s “Seeing Red.” On the other side, Iron Reagan rips up their version of…
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In the Spotlight: The Black Angels – Clear Lake Forest
My latest review on the new, RSD Black Angels release, “Clear Lake Forest”
by Mat Weir
Goddamn, it’s been a busy year for The Black Angels. Last year they released their fourth full-length, departed on two (or was it three?) tours, made their usual appearance at the Austin Psyche Fest & South by Southwest. If they didn’t have enough to deal with, this last Saturday they opened their own record store in Austin AND released their fourth EP, Clear Lake Forest.
Whenever the Angels release something on Record Store Day, I always buy it just on principle. But I have to admit, I wasn’t too excited for this year’s release. In my review of Indigo Meadow, I explained that even though I enjoyed the album, it wasn’t my favorite as it seemingly abandoned their fuzzier, psych roots for a more poppy, psych-lite sound. Even after seeing the Forest cover–which sees a return to the pattern designs that grace all their albums…
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Sleep, Dopesmoker and the Cocoanut Grove
Sometimes I see legendary bands while tripping on LSD and write about it. . .
by Mat Weir
If there is one band who has influenced Doom Metal the most in the 21st century, it would be Sleep. Birthed from the ashes of the San Jose sludge band, Asbestos Death, Sleep began as a four-piece, quickly moving to a power trio of Matt Pike on guitar, Al Cisneros on bass/vocals & Chris Hakius on drums. By building upon & dragging out early stoner rock riffs–ala Black Sabbath, Pentagram, the Melvins and more–Sleep revolutionized the doom metal scene in the Bay and beyond, spawning a huge cult following. Their mission was to turn metal into art and they succeeded with four, must-have records (three full-lengths & one EP) before disbanding in 1998 after only eight years together. Of their three releases the final, Dopesmoker, is THE unquestionably quintessential album for metal heads, music lovers & stoners alike. It was also the album that destroyed the…
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Tales of the Weird’s Offical RSD 2014 LP Picks
My official RECORD STORE DAY 2014 LP picks.
Record Store Day is Saturday, April 19. Here are a few choice LP picks from one of our own.
by Mat Weir
Gil Scott-Heron – “Nothing New” 12-inch LP: Gil is one of my favorite artists and this RSD release comes with a screen-printed cover. Even if all of his albums aren’t great, Scott-Heron is a poet, soulman, godfather of hip hop and too influential not to have in your collection. Plus this album has his iconic “Pieces of a Man” track for the gold.
Joan Jett & the Blackhearts – “Glorious Results of a Misspent Youth” 12-inch LP: Jett’s fourth album and the Blackhearts’ third, this is the first time the album has been on vinyl since it’s release in 1984. This comes on PINK vinyl, hand numbered, and contains the Runaways classic track, “Cherry Bomb.” Be still my nerdy heart.
Joy Division – “An Ideal For Living”…
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Tales of the Weird’s Offical RSD 2014 7″ Picks
One of these days I’ll link everything. For now, reblogging.
Record Store Day is Saturday, April 19. Here are a few choice 7″ picks from one of our own.
by Mat Weir
The Cure/Dinosaur Jr. – “Just Like Heaven” 7-inch: It’s catchy and oozing with sap, “Just Like Heaven” is one of those songs you can’t help but love. Plus it’s the Cure and Dinosaur Jr. on one record, sounds like an RSD win to me.
Nirvana – “Penny Royal Tea/I Hate Myself And Want to Die” 7-inch: Set to be released as the third single & B-side from In Utero, the plans were quickly scratched with Cobain’s suicide the same month. Twenty years later, Cobain and crew are inducted into the Rock & Roll Hall of Fame only to have the lost single released a week later. Eerily coincidental or perfectly planned marketing? Either way, both of these are monster tracks from the band and going home with…
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Days 17 & 18: Driving Through The Dirty Dirt, Busted in Alabama, and speakin’ Georgia Talk with the Diddly-Doo
I wearily opened my eyes the morning after the Housecore Horror Festival, cursed the blinding, morning light and thanked the heavens because my head felt fine. I noticed only Jesse and Kyle were in the RV, so I climbed outside to see what was going on. We were parked in a hotel lot, because the HHF had flipped the bill to put the musicians up properly. In a few minutes Gronk! walked out the building’s side door and told me the shower was free and we could do laundry. I grabbed a fresh pair of clothes and ran to the room.
You’re never happier seeing a shower than after touring for a week without one. Going without a shower at home is one thing. It’s not hygienic by any means, but depending on your life, you can probably get away with it.
On the road, there is no escape. You’re constantly around sludge. Whether it’s grime from an engine, dust from the trailer, sweat from moving the heavy gear or dirt from the venue; you’re hands are in a constant state of being covered in black substances which works its way under the nails and into your soul. Ten minutes in a hot shower truly is a glorious thing.
With my first mission down, the next was to get coffee and food to soothe my aching body. I made my way downstairs and met Jesse at the RV. There was a Starbucks down the street so we wandered in the general direction, recounting the madness from the night before and laughing at the almost forgotten buffoonery. Moments after we ordered our drinks, Carlee walked in and joined our recap.
One by one the rest of the Orcs awoke and we packed up the RV, ready to hit the road once more for a long haul to Florida. Austin is on the other side of Texas than where we were originally, so we had to pass back through Houston, once more.
Little did we know there would be a parking lot waiting for us on the I-80. We were stopped in dead traffic, rolling only a few feet ever 20 minutes or so, for three hours. Things were so mind-numbingly dull we began noticing small details about the surrounding area. The cardboard boxes in the alleys, the paint peeling from the brick buildings and
“Holy shit, look at all the birds on the telephone wire,” exclaimed Gronk!
Like a scene out of The Birds, hundreds of black, feathered creatures were sitting on one particular stretch of wire for as far as we could see. We sat there, watching them in awe, for several minutes until our fascination wandered. That was their cue. In an instant they all jumped off the wire and began swarming around the freeway traffic in a pre-planned kamikaze mission. I chalk it up to our boredom, but it was quite the sight to behold.
We drove through the night, barreling our way towards Pensacola, FL and I awoke the next morning in the parking lot of an Alabama truck stop/diner/gift shop/trucker church made out of old railway cars, aptly named the Loose Caboose. Jesse, Gronk!, Oog & I were the only ones awake and we wandered our way inside to check out the random knick-knacks, highway supplies, completely useless impulse buys and religious gifts.
After filling out a few postcards I bought there and dropping them in the post box, I joined the other three for coffee in the diner. Our conversation quickly went from sweet tea to political conspiracy theories in the blink of an eye and soon we pulled both of the waitresses into the gravity of our discussion. It’s strange talking with a middle-aged Alabaman woman at 10 in the morning about the possibility Biblical angels might actually be space aliens that our government has been hiding since before the Revolutionary War. “Buy the ticket, take the ride,” indeed.
Once the bill was paid, we loaded into the RV and I thought about dipping into the little marijuana I had before we hit the road, but decided against it, knowing I needed to conserve. “Besides,” I thought, “the rest of the guys aren’t awake and we can all partake later once we reach Florida.” We barely got off the on ramp to the freeway when the red and blue lights of Jonny Law were flashing in our mirrors.
“Fuck! Fuck!” screamed Oog. “Seatbelts! Now!” and we obeyed him without thinking twice.
“How you boys doing? What’re you up to on my highway?” asked the Sheriff when he approached the window.
Immediately we could tell he didn’t have a Southern accent, which was strange. He asked Oog for his license, which was safe in his wallet, if only Oog could find it. The next several moments were tense but that’s the only way to cross a high-wire tightrope. Gronk! explained to him that we’re a travelling band from California, on our way to Pensacola, while Oog found his wallet.
“Oh yeah,” said the cop with the same deadpan, cop expression he had on his face the entire time. “I’m from San Diego.” Immediately our assholes began to unclench. “Do you boys have any guns or weapons on you? No? Ok [Oog], step out of the car and come with me.” Right back to clenching.
The look of “we just shit the bed” crossed over our faces for only a half second, but long enough for all of us to catch it in each other’s eyes. By then, the rest of the band was awake and the sense of worry hung low in the RV.
A second officer, this time a middle-aged cop compared to his 30-something Sheriff counterpart, approached the RV and asked the same questions as the first officer, before walking back to Oog and the Sheriff.
“Oh shit,” mumbled Jesse when he saw the Sheriff returning without Oog. The taste of impending doom filled my mouth as I prepared myself for a second stint in jail. “At least this time it’s for something I believe in, “ I thought.
“So here’s the deal.” he said very nonchalantly. “You guys give me your bongs, pipes and weed and I won’t arrest you, A’right? And as long as I don’t find anything else, you’re free to go.”
Internally we were screaming, but externally we happily agreed and turned over the contraband while he searched the RV and the older cop kept an eye on us.
After a quick search, the Sheriff informed us we were on a notorious drug and gun smuggling highway, that normally it would be $1000 bail for each person caught with weed—any weed (combined we had about an 8th)—and that we were lucky he was the one who pulled us over. Before he let us go, he cracked a smile.
“Don’t worry, I know that’s a sentimental bong for y’all. I’m not gonna break it. It’s going on my shelf in the office as a trophy,” he chuckled while dumping the dried herb. “Don’t look so sad, you can get plenty of weed in Pensacola. Y’all be safe, now.”
Hail Gzoroth!
We rolled into Pensacola a few hours before we needed to dump the gear at the Vinyl Music Hall. Tensions were still running high from Alabama, so Jesse and I walked around town, exploring the historical district, wandering through the nearly 300 year old cemetery and ended up at a vegan café I was told about. However, it was closed on Mondays, so we found a posh bar & grille and dined like kings.
Pensacola is an old Floridian city. Statues dedicated to Confederate and War of 1812 veterans liter the city and the brick buildings are draped with ornate, Cajun-style iron work. The East and South are the best things Americans have to connect with history, which in itself is rather ridiculous. We are interested when we see buildings or cemeteries as old as a century and dumbfounded by things 300 years old. Our newer-is-better cultured minds can’t handle seeing ancient ruins when we travel. We can appreciate them like the rest, but I have a feeling most Americans are baffled and can’t fully comprehend something 3,000 years old. But that’s for another time and another blog.
After wandering around the downtown area, we headed back to the RV and waited to dump the gear. The Vinyl Music Hall is the smallest club we’ve played on this tour, with a capacity of only 525 people. There was no room for merchandise, so they stuck us on the side stage, and the best view I had of the show all night was via the flatscreen on the wall behind me. Other than that, the VMH was clean and the staff was friendly, even serving us shots & beers before they opened.
I’ve said it before and I’ll say it again, the road can only be handled with the kindness of strangers. Through previous tours with other bands, Jesse had some friends in town–Matt (from the band, 10,000 Beers) & his girlfriend, Desiree—and they showed us some real, Southern hospitality. As soon as they arrived at the venue, Matt had two packs of cigarettes waiting for us and we hung outside the VMH, getting acquainted and shooting the shit. By the time the front doors opened, we were all old friends.
With such a small venue and 4 bands playing, the stage was too full for Gogog to stand on, so he berated the audience on their level, from behind the barrier, close enough for his slimy drool to drip over the front row. And. They. Loved. It. The kids went nuts over the Orcs, frequently asking me how they made the costumes look so real. Everytime I responded with a dead stare or blank expression, saying, “What costumes?”
After seeing the elaborate stage & light shows put on by Gwar and Whitechapel at venues that can hold roughly 2,000 people, it’s a testament to their crews’ resourcefulness and tenacity seeing them provide the same quality entertainment at a venue a quarter of the size. Not only do they unload the trucks and set the stage, the crew hustled past the drunken crowd to make sure the monsters were on stage for their cues, made sure nobody got in the way, act onstage as part of the show, then breakdown the set, load the truck and do it all over again the next day. They are some of the hardest working people I’ve seen in the entertainment industry, and lesser men would quit after ½ a tour, let alone do it year after year after after.
When the show was over and the venue was clearing out, Matt and Desiree told us the pizza kitchen he worked at around the corner was still open for several more hours and we should meet them there for free grub. We agreed with wide eyes and hungry stomachs, quickly packing up the table when I noticed an obviously hammered, staggering, shaved head, goateed-guy-ala-Scott-Ian-from-Anthrax talking to Land Phil from Iron Reagan. They chatted for a few moments and Phil ran off when the guy turned his back. Mr. Goatee swung around several times, chasing his tail in circles, before swaggering over to Carlee as she packed up the merch.
“ ‘Ey ma’am, where’d tha long-herred boy tha played tha diddly-doo go ofta?” he jawed out.
Taken aback, a mischievous smile spread over Carlee’s face.
“Whoa, what?” she asked.
“Yeee know, tha lawng-herred purdy boy thaa played tha diddly-doo!” he repeated, this time adding in air guitar “He wannad smoke this-her weed ‘n drank sum burs, ‘n I already drank ‘nough bur.”
That was enough to make Carlee lose her shit.
“I have nooooo idea what you’re talking about,” she said with a laugh.
“Whaa?? Y’all don’ speak no Georgia talk? Ye know, tha diddly-doo!!!” he enunciated through the liquor & accent. “Thaaaa, DEEEEDDDLEEEE-DOOOO!”
That was the final straw for the rest of us and we exploded with a round of laughter as the guy’s girlfriend came to collect her pickled prize.
After the load-out, Jesse, Gogog, Hulg, Gronk!, one of the Ben’s from Whitechapel and I found Helen’s Kitchen–which was a giant sports bar with a smoking patio overlooking the downtown street below—where we unwound for a couple hours, swapping tour stories and eating the free, anything-we-want pizzas. With my belly full of veggie slices, I excused myself and went back to the RV. I’m pretty sure I fell asleep during the walk, relying on autopilot to get me back safely.
When it was all said and done, Matt had made some 10 pies for all of the bands, a task he never once complained about or argued against. He’s one helluva decent person and if you’re ever in California, brother, you’ve got friends who will help you out. Thanks again.






